Will's Photo Blog - <!-- -->Berkeley Spring ’21<!-- -->

Berkeley Spring ’21

Leica M6 TTL | Leica Elmar 50mm f2.8 | Kodak Tri-X 400

Scanned with Noritsu LS-600

Lab developed in Kodak Xtol
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile:
Cinematic – Rich | WB: Auto-Neutral | LUT: Frontier
Rollei 35 | Zeiss Tessar 40mm | Kodak Tri-X 400 @ 1600, +2 dev

Scanned with Opticfilm 8200i

Home developed in Kodak D-76 stock | 9.5m@20c

Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile:
Cinematic – Log | WB: None | LUT: None
Leica M6 TTL | Leica Elmar 50mm f2.8 | Kodak Tri-X 400

Scanned with Noritsu LS-600

Lab developed in Kodak Xtol
Leica M6 TTL | Leica Elmar 50mm f2.8 | Kodak Tri-X 400

Scanned with Noritsu LS-600

Lab developed in Kodak Xtol
Rollei 35 | Zeiss Tessar 40mm | Kodak Tri-X 400 @ 1600, +2 dev

Scanned with Opticfilm 8200i

Home developed in Kodak D-76 stock | 9.5m@20c

Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB –
Highlight Hard | WB: Auto-Neutral | LUT: Frontier
Leica M6 TTL | Leica Elmar 50mm f2.8 | Kodak Tri-X 400

Scanned with Noritsu LS-600

Lab developed in Kodak Xtol
Leica M6 TTL | Leica Elmar 50mm f2.8 | Kodak Tri-X 400

Scanned with Noritsu LS-600

Lab developed in Kodak Xtol
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB –
Standard | WB: Auto-Neutral | LUT: Frontier
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB –
Standard | WB: Auto-Neutral | LUT: Frontier
Leica M6 TTL | Leica Elmar 50mm f2.8 | Kodak Tri-X 400

Scanned with Noritsu LS-600

Lab developed in Kodak Xtol
Rollei 35 | Zeiss Tessar 40mm | Kodak Tri-X 400 @ 1600, +2 dev

Scanned with Opticfilm 8200i

Home developed in Kodak D-76 stock | 9.5m@20c

Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile:
Cinematic – Log | WB: Auto-Neutral | LUT: Frontier
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile:
Cinematic – Rich | WB: Auto-Neutral | LUT: Frontier
Rollei 35 | Zeiss Tessar 40mm | Kodak Tri-X 400 @ 1600, +2 dev

Scanned with Opticfilm 8200i

Home developed in Kodak D-76 stock | 9.5m@20c

Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB –
Highlight Hard | WB: Auto-Neutral | LUT: Frontier
Rollei 35 | Zeiss Tessar 40mm | Kodak Tri-X 400 @ 1600, +2 dev

Scanned with Opticfilm 8200i

Home developed in Kodak D-76 stock | 9.5m@20c

Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB –
Standard | WB: Auto-Neutral | LUT: Frontier
Rollei 35 | Zeiss Tessar 40mm | Kodak Tri-X 400 @ 1600, +2 dev

Scanned with Opticfilm 8200i

Home developed in Kodak D-76 stock | 9.5m@20c

Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile:
Cinematic – Rich | WB: Auto-Neutral | LUT: Frontier
Rollei 35 | Zeiss Tessar 40mm | Kodak Tri-X 400 @ 1600, +2 dev

Scanned with Opticfilm 8200i

Home developed in Kodak D-76 stock | 9.5m@20c

Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile:
Cinematic – Rich | WB: Auto-Neutral | LUT: Frontier